| [Michael Willis] |
| Dylan's father doesn't live in a particularly nice section of town. It isn't the slums, certainly, but it's in a section of the Near North Side not far from Armour Square, where bright lights shine and loud music can be heard at all hours of the night; the apartment itself, as Michael told the other Consor over the phone, is in a three-story building on West 30th Street, not far from the Eagle's Nest where Jacques once had to pick up the man's son from a night of binge drinking. He has to park the Roadster in the parking lot of a bakery adjacent to the tall building.
There is a small plate of lit-up door bells next to a locked iron gate, but no intercom between the front door and the apartment. Nearly two minutes pass after Jacques rings the one marked 312, and then Dylan's 54-year-old father makes his appearance downstairs.
He's tall, like his son, but his eyes are blue instead of brown; he's gained weight since the last time Jacques saw him, looks healthy rather than devastatingly sick. It would appear as though he was preparing for sleep when the phone call came to the apartment. He's wearing slippers, jeans and a white t-shirt, and holds the keys to the apartment in his hand.
"Hi," he says, without mirth in his tone, and leads the trio upstairs to the third floor. As they go, he introduces himself: "Mike Willis. I don't think I've met either of you yet."
The apartment is the fourth door on the right side of a hallway that eventually kinks into an L shape. Once inside there is a hallway leading into the apartment, two doors on either side, the bathroom and the master bedroom on the right side both open while the closet and the smaller of the two bedroom's doors on the left side remain closed. The kitchen, dining area and living room are all mushed together into one open space, and Michael guides them into the kitchen area.
When he speaks next, it sounds as though he is continuing a conversation he and Jacques had started earlier, though he intermittently glances between Ashley and Wharil to include them in the conversation.
"I called his old Chantry," he says. "They say they haven't seen him since he was there this summer and that he's not welcome back. I'm about halfway through a list of hospitals... I went down to the county morgue yesterday evening to ID a body, but it wasn't him." A beat, and then, "What do you need, a shirt or something?" | |
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